Beautiful old style Qawwali. His full name: Agha Bashir Ahmad Faridi Qawwal.
Side A (30:27)
Side B (30:01)
Many thanks again to Danny who brought all these jewels from a trip to Pakistan many years ago.
Here some background information about the traditions he belonged to:
"Ustad Muhammad Ali Faridi Qawwal:
Ustad Muhammad Ali Faridi is a seminal  figure in the history of 20th Century Qawwali, influencing everything from how  it is performed to the position of the performers in a Qawwal party.  Incorporating Classical Sufi texts with the tradtional Doaba ang of Punjabi  gayeki, he created a potent style of Qawwali that proved popular both with the  discerning listeners and the masses. Although his recordings date from the mid  '30s to the late '60s, he started performing much earlier. Accompanied on his  latter recordings by his son Abdul Rahim Faridi, the Ustad displayed a unique  and very malleable voice that was very expressive in the upper registers and  displayed glimpses of his rather formidable classical training. His list of  shagirds includes giants like Agha Rasheed Ahmed Faridi and Agha Bashir Ahmed  Faridi along with his son Abdul Rahim Faridi, who in turn instructed modern  practitioners like Faiz Ali Faiz Qawwal. The Ustad's lineage continues through  his grandson Moeen Ali Faridi Qawwal.
Baba Din Muhammad Jalandhri  Qawwal:
When I wrote the earlier post on the Qawwals of the earlier half  of the 20th century, I added Din Muhammad Jalandhri almost as an afterthought,  because I didn't have any information about him that I could append to his  rather wonderful recording. Over time however, I have come to learn a great deal  about him and have come to realize his stature among the great Qawwals of the  early 20th century. Apart from having an amazingly robust and vociferous andaz,  Din Muhammad Qawwal, or Baba Deena Qawwal as the gentlemen over at Rehmat  Gramophone House call him, is the forbear of not one but TWO illustrious Qawwali  lineages. He was the uncle and ustad of arguably the greatest Qawwals of the  20th century, Fateh Ali - Mubarak Ali Qawwals (who are rightly called Ustadon ke  ustad, which makes Din Muhammad Ustadon ke ustadon ka ustad). In turn, Fateh  Ali-Mubarak Ali taught performers like the above mentioned Agha Rasheed Ahmad  Faridi and Agha Bashir Faridi as well as Bakhshi Salamat Qawwal and of course,  their successor Ustad Nusrat Fateh Ali Khan. And in Rahat Fateh Ali Khan, we see  the fourth generation of Baba Din Muhammad carrying the torch forward. His  direct lineage too, is impressive to say the least. He was the father of the  amazing Miandad Khan Qawwal. Miandad Khan Qawwal and his brother Hafiz Dad  Qawwal were affiliated with the shrine of Hz Baba Farid (RA) at Pakpattan and  performed till Miandad's death, after which the mantle was taken over by his  son, the supremely gifted Badar Miandad Khan Qawwal, who unfortunately like his  father, died at a very young age. His younger brothers Sher Miandad Qawwal et al  currently perform all over the world."